![]() The Patch Editor window can be resized, provides PM1D-like cursor shape and operation, and makes it possible to list and edit the port names. The Selected Channel window now shows gate type and long-stroke channel meters. There's also a new Automix Library window that makes it much easier to use Automix. A new Master Fader window and Meter window have been added for easier master level monitoring as well as simultaneous meter display for 48 channels plus gain reduction metering. The Console Window now provides a quick online/offline switch, the ability to show or hide the parameter block, user assignable layers, long stroke meters, quick jump to the Selected Channel window by double-clicking the EQ section, and numerical fader level indication. A variety of other enhancements include Add-on Effect support, multiple windows, and improved overall operability through shortcuts, keyboard operations, drag and drop, and using the console's User Defined Keys to remotely open and close windows. This offers many advantages including total project recall and smoother online and offline editing with multiple DM2000 units. The Studio Manager application has undergone a major evolution, and is now a host application that can support multiple editors (such as the DM2000 Editor) within its framework. The DM2000's physical controls are compatible with DAW systems and recorders that support MMC or P2 protocol. ![]() A locator section is also provided, with eight locate memory keys as well as pre, post, in, out, return to zero, and roll back keys for speedy, efficient operation. ![]() Dedicated recorder controls are provided on the DM2000 panel: the track arming section with keys for 24 tracks, group keys A through D, and master recorder key all provide convenient remote control of your MTR or master recorder. ![]() MIDI control tables can also be created to provide functionality with MIDI-compatible DAW systems. The standard library includes control compatibility with Digidesign Pro Tools® and Steinberg NUENDO® workstations, control functions can be assigned to remote layers 1 through 4. The DM2000 can function as a physical controller for both recorder and mixer sections of your DAW. A comprehensive range of dedicated controllers is provided for direct control of external equipment. In addition to its extensive stand-alone capabilities the DM2000 can integrate with your computer-based DAW (Digital Audio Workstation) or digital recorder to create an advanced digital production environment. ![]() The encoders and name displays associated with each fader can be used to make input patch and direct out settings without having to refer to the LCD display, and you can save your patch settings as library data for recall when needed. All inputs, outputs, insert patch points, direct outputs, and effect sends and returns can be freely patched to configure the system as required via graphical on-screen "digital patching" displays: for example, you could patch one input to multiple channels, or assign the signal from one bus to multiple outputs. Control data is graphically displayed via the LCD screen, and can be saved in "libraries" for easy recall whenever recalled. Dedicated controls are also provided for copying and pasting channel parameters, even between different scenes. Easy-access dedicated controllers are provided for routing, auxiliary/matrix send, dynamics, stereo and surround panning, and EQ. I really hope this is not the case, as I'm sure like many of you, I have have hundreds of tracks going and having to manually scroll from track to track on the unit would be much slower vs just selecting the track via the mouse and controlling it, especially if you use Cubase's search tracks feature.Īnyone using one of these units and find its a useful addition to your workflow?All 96 input channels as well as the 8 mix buses, 12 auxiliary buses, 4 stereo matrixes and stereo bus feature powerful mixing functions including gate and compressor dynamics processing, input attenuation, four-band parametric EQ with a choice of Type I and Type II algorithms, channel inserts, delay, surround and stereo panning, and phase. How does the controller know what track you are on? Can you select a track with the mouse in Cubase's Mixer (or arrange page if its an audio or instrument track) and the physical unit either automatically follows (which would be ideal) or at least hit some kind of "arm" button where its now controlling the track you selected with the mouse? Or does it only function if you select the track from the unit itself, so you actually have to select the track you want to control from the unit by either flipping track by track or bank scrolling? I was thinking of grabbing a single motorized fader controller for automation, like the presonus faderport or the new Behringer Touch one, but have a usage question. ![]()
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